ABOUT US
Smartness; Thanks to Kiswah Jewelery, it combines history and memories...
KISWAH collections are based on historical periods of 4000 years of civilization and a rich artistic background reflecting the concept of timeless unity. Handmade jewelry, which is a reflection of deep-rooted history, bears the stamp of Unity, Golden Age, Al-Andalus, Classics, Neoclassics, Sacred Art, Precious Touches and KISWAH Infinite Jewelery collections. Art objects that reveal the aesthetic understanding of our ancestors take us on an artistic journey through the Era and KISWAH Objects collections.
KISWAH JEWELRY benefits from a library of more than 300 books on the history of civilization and the artistic development of civilization and 25 years of industry experience. After working intensively with a group of academics, historians and artists, he transforms the periods that shed light on history into a collection of jewelry and art objects.
KISWAH's vision is to be the leading source for heritage art and jewelry objects that reflect the cultural and artistic treasures of a 4000-year-old civilization.
Believing in the power of our mighty heritage, KISWAH's mission is; To preserve the heritage of our cultures under the concept of "timeless unity" and to inspire humanity with the stories of jewelry and art objects to be inherited.
OUR FOUNDERS
"Originality in Glitter, Elegance in Art."
Bekir KANTARCI
Founder - CollectorJewelry art is a unique art form that combines creativity, craftsmanship and aesthetics. Precious metals and stones are carefully shaped by the hands of masters to create unique and impressive jewellery. Jewelery art, whose historical roots go back to ancient times, has constantly evolved today by meeting modern designs. Each piece is not just an aesthetic expression, but also a reflection of personal stories and emotions. It is a branch of art.
Yasir KANTARCI
DirectorJewelry design is a unique art form where aesthetics and craft meet. Precious metals, stones and fine details combine with the designer's creativity to create unique jewelry. Each design aims to express personal style and emotions, making jewelry not just an accessory but also a meaningful symbol.
Bekir Kantarcı
I, Bekir Kantarcı, am a passionate collector who proudly introduces myself as a Kaaba Cover Collector. I have been collecting Kaaba covers for many years and represent a passion dedicated to discovering the unique features, patterns and meanings of these special works.
I believe that each cover has a unique story and aesthetic value. I consider the Kaaba covers not only as a religious symbol, but also as an artistic expression and cultural heritage. My collection includes a variety of Kaaba covers from different periods and regions, which enriches my collection and leads me to constant discoveries about the diversity of these unique artifacts.
Kaaba cover collecting is much more than just a hobby for me. This passionate pursuit encourages me to establish a deeper connection with different cultures and understand the meaning of these special works. The aesthetic beauty and symbolic depth of the Kaaba covers are not only works of art but also a source of learning for me.
I am excited to share the latest additions to my collection on my social media accounts, to communicate with other passionate collectors in this field, and to share the cultural richness of Kaaba covers. I look forward to sharing my love and respect for my Kaaba cover collection with others. I invite you to be a part of my collection!
Bekir Kantarcı Private Collection / Kaaba Cover Exhibition
"We resided and lived in the Mecca and Jeddah regions for approximately twenty-four years between 1991 and 2015. In those years, a small Kaaba Cover was given to me as a gift by a person in charge of the Kaaba. The person I met there at that time was the first Kaaba Cover I ever received. "I started this adventure with pleasure and pleasure."
Bekir Kantarcı / Memories of Pilgrimage from the Ottoman Empire to the Present
Hasan Mert Kaya is the curator of the exhibition, which is compiled from rare works acquired abroad and domestically by collector Bekir Kantarcı over a period of approximately thirty years. The fiction of the Holy Road Exhibition was created through the metaphor of "Road".