Unity Collection is a collection of abstract concepts and the story of the beginning of civilization. A manifesto that explains... The philosophy of creation of Islam; creator of the rules of the universe A tribute to power, the emergence of the multitude and miracles... KISWAH turns the attention to the circular motifs that have appeared in Islam throughout history. This collection offers a striking interpretation of distinct and endless circle motifs. of the world around the sun, electrons around atoms and eventually humans around the Kaaba. the concept of circulation symbolizing the rotation of time, eternity in the process of time, the period of creation It literally comes to life in circular figures that offer its most appropriate expression. Islamic philosophers present abstract and concrete examples of humanity's existence in the form of concentric circles. They commented. The process of existence had a single source of light illuminating each circle, and This source was the unity of mind. The positioning of the circles is also related to the astronomical chart of the orbital motion of the planets. would be similar.The representation of astronomical diagrams is one of the decorative motifs in Islamic art. can be recognized in its basic geometric shapes: a circle and the geometric shapes placed within it; especially one star. Continuous pattern repetitions as if they symbolized infinity create a striking whole. creates. The arms of the stars connect them as if they were traveling to infinity; Thus, this geometric whole of infinite movement and concentric circles points to a single message. makes: unity in pluralism. It is as if the fundamental law and rhythm of the universe are presented to humanity in this way. Also in Kutadgu Bilig, which is considered one of the most basic and important source works of the Turkish language. The creation of the universe and circular movements draw attention with these words: “Look: God created the world, It rotates constantly. All the planets rotate constantly with it.” (Kutadgu Bilig facsimile edition (Vienna copy) Turkish Language Association Publications, p. 38) (Ögel, S., 1986, on Anatolian Seljuk Art Opinions, pp.96-99.)